Trevor Paglen : Two Lectures !

Trevor Paglen is an artist whose work spans image-making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. Among his chief concerns are learning how to see the historical moment we live in and developing the means to imagine alternative futures.

Paglen’s work has had one-person exhibitions at Vienna Secession, Eli & Edythe Broad Art Museum, Van Abbe Museum, Frankfurter Kunstverein, and Protocinema Istanbul, and participated in group exhibitions the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Tate Modern, and numerous other venues. He has launched an artwork into distant orbit around Earth in collaboration with Creative Time and MIT, contributed research and cinematography to the Academy Award-winning film Citizenfour, and created a radioactive public sculpture for the exclusion zone in Fukushima, Japan.

He is the author of five books and numerous articles on subjects including experimental geography, state secrecy, military symbology, photography, and visuality. Paglen’s work has been profiled in the New York Times, Vice Magazine, the New Yorker, and Art Forum. In 2014, he received the Electronic Frontier Foundation’s Pioneer Award for his work as a “groundbreaking investigative artist.”

Paglen holds a B.A. from U.C. Berkeley, an MFA from the Art Institute of Chicago, and a Ph.D. in Geography from U.C. Berkeley.
http://www.paglen.com/

From tapped fiberoptic cables at the bottom of the sea to football field-sized antennas in deep space, the architecture of state surveillance is as ubiquitous as it is invisible. In this talk, artist Trevor Paglen shares more than a decade's worth of images, research, and stories about how to "see" the top-secret infrastructures that are so emblematic of our historical moment.

This annual series is made possible by the generosity of Clarice Smith.

Although people around the world are becoming increasingly aware of the United States' global geography of surveillance, covert action, and other secret programs, much of this landscape is invisible in our everyday lives.
The drone war, for example, seems to happen "somewhere else" while surveillance programs take place among the (largely) invisible infrastructures and digital protocols of the internet and other communications networks. Moreover, the state agencies responsible for secret programs strive to make them as invisible as possible. In this talk, artist Trevor Paglen discusses his work attempting to "see" the various aspects of the secret state. In examples ranging from tracking spy satellites to foraging through the bureaucratic refuse of CIA front companies, Paglen will discuss methods used to identify and exploit structural contradictions in classified programs which render them visible, and comment on the aesthetics and politics of attempting to "see" secrecy.